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                    ANTENNAE

                    THE JOURNAL OF NATURE

                    IN VISUAL CULTURE

                    SUNSET 47 masthead 5.5.19 copy Screenshot 2019-12-02 at 23.54.02

                    Antennae: The Journal of Nature in Visual Culture

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                    Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    Antennae: The Journal of Nature in Visual Culture

                    This issue of Antennae and the next are part of a project informed by the exhibition Making Nature: How We See Animals curated by Honor Beddard at Wellcome Collection (London) in 2016-17. This first installment, Making Nature, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise the methodological approaches that have defined the philosophies of the discipline. Technologies of visibility like taxidermy, dioramas, macro-photography, and illustration are here juxtaposed to highlight the complicity of art and science in the production of fictional narratives about the world we live in. This outlook should however not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as an invitation to reach further deep into the discipline’s productive core and to devise new natural histories for the twenty-first century. It is in this context that the next installment, also co-edited

                    2017-12-02 09.40.16

                    DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

                    LYNNTURNER

                    RONBROGLIO KATHYHIGH JESSICAULLRICH

                    HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

                    MARIAVERSTAPPEN

                    KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

                    ANGELASINGER

                     

                     

                    CAROL J ADAMS

                    SUZANNE ANKER

                    JONATHAN BIRTH

                    DOROTHY CROSS

                    CARSTON HOLLAR

                    GARY HUME

                    OLEG KULIG

                    ROSEMARYTROCCO

                    PAULINE OLIVERO

                    PETER SINGER

                    LOISWAINTERBER

                    CARY WOLFE

                     

                     

                     

                    Abbas Akhavan |Giovanni Aloi

                    Bergit Arends | Marc Beattie

                    Honor Beddard | Emily Eastgate Brink  

                    Aaron Delehanty | Mario A. Di Gregorio  

                    Mark Dion | Maria P. Gindhart

                    Isabella Kirkland | Maria Lux  | Lorraine Simms Regan Shrumm | Tamsen Young

                    Doug Young

                     

                     

                    AND MANY MORE

                    ANTENNAE

                    42 cover

                    THE JOURNAL OF NATURE

                    IN VISUAL CULTURE

                    ISSUE 49 — AUTUMN 2019

                    making nature

                            with Honor Beddard, titled Re-making Nature will more closely focus on the work of contemporary artists whose practice entails revealing the constructedness of nature as a concept to map and untangle important nevralgic and yet under scrutinized junctions in our coevolutional histories with the rest of the natural world.

                     

                     

                    IN THIS ISSUE

                    Dr. GIOVANNI ALOI

                    Editor in Chief of AntennaeProject

                    34 essays and interviews

                    featuring key contemporary artists and scholars

                    329 pages

                    202 illustrations

                    MARIA LUX

                    p 164 p 214 p 188 p 224

                    p 214

                    p 69

                    p 72

                    quotation

                    Is there still a place for non-scientists in the trajectory

                    of science? What is lost if science is so specialized, or technologies so inaccessible, that average people feel alienated from its development, curiosity, and conclusions?

                    quotation two 7 biography

                    MICHAEL McCLURE: MEAT THYSELF

                    by Stefan Benz

                    1 making nature

                     

                    The Togo-Cameroon hunting pavilion at the 1931 International Colonial Exposition in Paris encouraged cynegetic tourism in Africa, largely through the inclusion of three large habitat dioramas. MORE >>

                     

                    Making Nature was an exhibition held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. It explored how humans have constructed the

                    notion of nature over time, a question that has captivated philosophers, anthropologists, scientists, ethicists and artists for centuries. Curator Honor Beddard talks to us about this

                    pioneering exhibition.  MORE >>

                     

                    Making Nature

                    Giovanni Aloi interviews Honor Beddard

                     

                    Biogeography,

                    Autobiography, and

                    Wildlife Protection

                    By Maria P. Gindhart

                    8 diorama

                     

                    In this essay, Giovanni Aloi focuses on an axpect of Donna Haraway’s ‘Teddy Bear Patriarchy’ argument that was overlooked by the author: the important role played by decorum in the normativizing function of museum taxidermy.  MORE >>

                     

                    Dioramas: Realism

                    and Decorum

                    By Giovanni Aloi

                     

                    This essay examines the object history of the Feejee Mermaid, a taxidermy creature created from the top half of a mummifi ed orangutan

                    and the lower body and tail of a salmon, which defi es the category between nature and art.. MORE >>

                     

                    The Feejee Mermaid:

                    An Object’s History

                    By Regan Shrumm

                    9 feejee

                     

                    For over a hundred years, habitat dioramas have been the soul of natural history museums around the world. Firmly built into the architectural fabric of the institution and astutely combining sculptural, painterly, and theatrical idioms, dioramas have been regularly

                    understood as truth.  MORE >>

                     

                    Six philosophies for a habitatdiorama artist

                    Text and Images by Aaron Delehanty

                    2 six

                     

                    The current planetary environmental

                    emergency urges us to ask afresh: How can we simultaneously be part of a long history of nature, and yet be so late in realising what has happened? The recent development in ecological discourses make exhibition Mark Dion: Systema Metropolis from 2007 ever so

                    relevant.  MORE >>

                     

                    Mark Dion:

                    Systema Metropolis

                    By Bergit Arends, Images by Mark Dion

                     

                    Louis Pasteur’s published study of the French silkworm pandemic (1865-1870) helped visualise the invisible world. This essay examines how Pasteur mobilised new media

                    to categorise and visualise the vast cultural ecology that had shaped France’s silkworm disease.  MORE >>

                     

                    Ordering the Invisible

                    Images by Emily Eastgate Brink

                    10 ordering 3 mark dion

                     

                    In a time of climate-change denial and suspicion of scientifi c expertise, where science’s place in American culture is especially contested, Magnify considers the role of amateur  naturalists historically and today.  MORE >>

                     

                    Magnify

                    text and Images by Maria Lux

                     

                    Doug Young is one of only a few artists skilled in the labor-intensive technique of reverse painting on glass. These paintings address present- day concerns about the precarious state of the environment by taking natural

                    history museums and their display aesthetics as their subject.  MORE >>

                     

                    Providence Under Glass

                    By Tamsen Young, Images by Doug Young

                    11 magnify 4 providence

                     

                    Since January 2019 Marc Beattie has captured the captured, snapping a subject daily and amassing a cache currently of over a third of the Avian Class that have ever visited Norfolk,

                    and then never departed their uncanny dioramic setting. MORE >>

                     

                    The Bird Gallery

                    images by Marc Beattie

                    12 hookes 5 bird

                     

                    Robert Hooke’s

                    Macrographia

                    Text and Images: British Library

                     

                    Dr Mario A. Di Gregorio explores Haeckel’s unique idea of “monism” which lies behind the mesmerising illustrations of his most famous

                    work, Kunstformen Der Natur. MORE >>

                     

                    Ernst Haeckel and

                    the Unity of Culture

                    By Mario A. Di Gregorio

                    13 ernst

                     

                    Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

                    still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

                     

                    TAXA

                    Text and Images Isabella Kirkland

                    14 taxa 15 empire

                     

                    Simultaneously present and absent these shadowy animal traces connect with key environmental issues, such as habitat loss and the extinction of animal species. Lorraine Simms’s drawings are poetic meditations on change and loss - silent witnesses to the gradual disappearance of the wild. MORE >>

                     

                    EMPIRE of BONES

                    Text by and Images Lorraine Simms

                    p 188

                    p 164

                    p 224

                    COVER 49 6 abbas

                     

                    Abbas Akhavan: Fatigues

                    Giovanni Aloi Interviews Abbas Akhavan

                    9a feejee

                    p 125

                     

                    Isaella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE>>

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